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"My process is built on foundational interests in line (as both a concept and form of expression) and hard-edged abstraction (as a method to define form). I got to where I am now through extensive trial and error, experimentation, looking, thinking, and challenging myself to make difficult and ambitious work. The current techniques I'm employing are part of just one stage in what I expect will be a lifelong metamorphosis. I'm not content to stay within the parameters of one system for too long, but the recent approach I've been using that takes elaborate masking techniques to layer intricate sections of linework still has a lot of energizing terrain to explore."